Your work is constantly playing with positives and negatives, not ambiguities of meaning but contrary meanings manifested in the same image, in the same material. The roughness of the material with which you’ve fabricated the recent freestanding sculptures is also very sensuous. The chains indicate security and yet entrapment; the rendition of the silhouettes on painting brings forth the individual against the field but obscure the details of the individual at the same time. Is that obscuring a suppression of the individual’s character or enhancing this individual’s ability to represent all of us? Rather, all these questions but none of them are ambiguous - it’s an either-or situation, figure/ground, it’s a binary relationship, an existential dialectic. As a result, it sets up an emotional rhythm throughout your work, because we are sure of what it means and at the same time we are sure it means exactly the opposite.